Archive for March, 2006

Bond Street Photo Essay

Tuesday, March 7th, 2006

Two days in to my photojournalism course with the London School of Photography, Antonio Leanza is an inspirational teacher and I can feel my skills and my confidence increasing. Luckily (very) for me, the other two people booked on the course have dropped out, so I’m getting one-to-one tuition for the week.

I’m pretty pleased with my first day’s assignment - a photo essay on Bond Street and the surrounding area: South Molton Street, Regent Street and Oxford Street (OK, so I sneaked one in from Trafalgar Square and one from Charing Cross as well). Antonio tweaked the photos for me. Now I’m working on day two’s task: self-portraits (something I’ve never tried before), and tomorrow I head over to Camden where I have to approach strangers and ask them to pose for some street portraits.

Lost Communication Device

Saturday, March 4th, 2006

Yesterday morning, I went out at 7.30am to buy some milk and take Gizmo for a quick walk. Crossed over the road outside our house, walked 50m down the hill, and saw a mobile phone lying on the pavement. At first I thought it was a joke, it looked so blatantly visible, I wondered where the candid camera was hidden. I could see a text message displayed on the screen, perhaps this explained the joke?

So, I picked it up and read the message: from one of the candidates taking part in the Sheffield University Student Union Elections, urging the owner of the phone to drop into the Union and register their vote. Nobody leapt out and yelled “gotcha”, so I put the phone in my pocket (only slightly surreptitiously) and carried on my way.

When I got home, I checked the phone out: a fairly battered Nokia, picture of a pretty girl set as wallpaper - perhaps the owner of the phone, or the owner’s girlfriend? Scrolled through the phonebook to find someone I could notify: a huge list of names, from the personal to the mundane (British Gas, Landlord), it made me realise how much a person’s phone is now their phone-book. I keep most of my numbers on the computer, and only store on my mobile those I’m likely to want to ring when out-and-about, but obviously some people keep every number they ring stored in their mobile’s memory.

I wrote down numbers for “home” (a Nottingham number), “home number” (Sheffield) and “mum” (mobile). Tried the Sheffield number a couple of times around 8am but got no reply, so I left it until later. Perhaps they’re already off at lectures. I rung again once during the day, and once in the evening. Still nobody about. Unusual for a student house to have nobody in all day. So I tried “mum”.

The first time I dialled wrong - embarrasing half-conversation with some young girl, bemused at my claim to have “found your son or daughter’s mobile phone”. It almost put me off trying again. But I did. Dialled the right number this time, explained myself again, and found the woman on the other end strangely distant, not all there: “Oh. Erm. Are you sure. Where are you. Sheffield? Oh. OK. That would be… my son’s phone then. We live in Nottingham”.

“Yes, I thought so, I saw there was a Nottingham number listed as ‘home’.”

“Oh. That’s definitely his then.” (Why does she sound sad when she says this?)

“So, anyway, if you’ve any way of getting hold of your son, could you let him know that I’ve got his phone. Pass on my number to him, he can come around to collect it.”

“I’m sitting next to him now. He’s in hospital. He was assaulted last night”.

Suddenly I’m as confused and distant as she was a moment ago. I had already invented my own story to explain the loss: drunken student coming home late at night. Perhaps fumbling to get his keys out of his pocket, his mobile drops on the pavement; he doesn’t notice, and it’s still there in the morning. This model reality I’d constructed is suddenly stomped into pieces. Assaulted? So… what… how… suddenly I am left with a thousand-and-one questions, all of them too crass to ask now. I leave her my phone number, and leave it at that.

Later a young woman phones and arranges to collect the mobile in the morning. I can hear tears in her voice, or is that just my imagination? This morning I open the door to her, the same woman as was pictured on the phone. I hand it over, and ask haltingly… “so… is he all right? I heard he was… assaulted?”

“No, he’s not OK. He has blood on his brain. He was punched just down the road from here. Fell down and hit his head on a metal grate, like that one”. Recalling the details seemed to take all of her effort. She has finished talking but all I’m left with are more questions and a desire to help. Is this morbid curiosity, or the desire to tie myself closer to people I’ve just found myself attatched to by the most random of threads, or the need to know more of the danger that lurks outside my doorstep late at night? Whatever it is, I can’t question her further, don’t want to put her through any more of this painful recall.

She holds up the phone, says “thank you, most people wouldn’t have done this”, and leaves. I want to say “I’m sure most people would” or “but this is nothing, surely I can do more to help”. But she is gone, and I close the door,
conscious that our paths will almost certainly never cross again. I am left with questions that gnaw away at me all day, and what seems to be compassion, compassion with no outlet.

I remember once on a visit to Bridget’s home town, Killorglin in County Kerry, South-West Ireland, I commented “the people here are very friendly”. Bridget replied “no they’re not, they’re very nosey. But the only way they can find out more about you is by talking to you”. Today a part of me feels like a nosey person who wants to talk just to find out more. But another part feels that in some way, talking makes friendship inveitable: the merest brush-past of adjacent lives creates shared bonds which bring people closer together; shared pain.

We Are All Still Microsoft Dinosaurs

Friday, March 3rd, 2006
Mark and Dan are still dinosaurs

That Microsoft Mark and Dan dinosaur ad in full.

Doh!

Friday, March 3rd, 2006

Yesterday, as Gill was out of the room for two minutes, Gizmo wolfed down the bread dough that she had just finished kneading. A whole large loaf’s worth.

We watched as his stomach rose over the next hour or so. This morning we woke up to a house full of dog puke and diarrhea, plus a dog who can’t walk straight.

BLOCassembly 24th February 2006

Wednesday, March 1st, 2006

Tony Kemplen, Joe Gilmore, Herve Perez, Lombutroupe, George Rogers, Bocman
BLOCassembly sound-based live art @ BLOCspace

Spending three hours in an icy cold BLOCspace is like an arctic endurance challenge. Fortunately there are cheap drinks to keep everyone’s spirits up, and I stick it out alongside the well-prepared audience, who are swaddled in giant parkas, seal-hunter hats and floppy mittens.

Tony Kemplen Siren SongOutside, four megaphones play Tony Kemplen’s “Siren Song”: a choral work based on an 8-tone siren bought at Poundland. Beautiful as well as funny, it kicks off with the “choir” chattering to one another for two minutes, a cheeky nod towards Janet Cardiff’s “Forty Part Motet” which proved a big hit at the Millennium Galleries two years ago.

Joe Gilmore's PowerbookInside the performance room, Joe Gilmore is first on. Actually, it’s Joe Gilmore’s PowerBook. His “generative performance for solo laptop computer” requires no human involvement, so the computer sits alone on a plinth at the front of the room. The ascetic set-up dissolves when Joe walks over to check that the laptop’s volume is turned up (it is). The music, when it finally comes, is a chain of sound effects: jump-cut bleeps and sweeps, based upon “aleatoric procedures”, a de-humanised version of John Zorn’s “Spillane”.

Herve PerezHerve Perez’s PowerBook is next on, this time with a human operator. Herve improvises an elemental set using banks of sampled sounds: collisions and close-encounters between stone, metal, wood, air, fire, water and computer.

MattButt DilemmaMattButt (Lombutroupe) has taught his PowerBook to meditate. For the first time tonight we hear human voices (cut-up poetry, a stoned-sounding giggly girl, a recorded telephone conversation). Shards of countryside photographs are projected on the wall in time with the sounds, and despite the artist’s claim to base his work on “the soulless CAD architecture of modern cityscapes”, these flourishes make the piece curiously poignant in contrast to the preceding acts.

George RogersGeorge Rogers’ digital son-et-lumière is accompanied by a censer trailing frankincense smoke. The cloying church-smell triggers further associations, while images and colours divert the senses. Throughout the night there has been a gradual movement from works focused on technology to works focused on humanity, and Rogers’ piece accentuates this shift.

BocmanFinally Neil Webb (Bocman) performs his own audio-visual pieces. A night-time train floats past in slo-mo; dreamlike soundscapes bear listeners back towards the womb. After three hours in sub-zero temperatures the audience, warmed by wine and soothed by sine waves, float away towards Matilda Street where they’re just in time to catch Sunburned Hand of The Man.

Sunburned Hand of the Man
This piece was originally written for Sandman Magazine, and is also published on the FAD blog.

Monkey Swallows the Universe

Wednesday, March 1st, 2006
Monkey Swallows the Universe

On Monday night I went to the Monkey Swallows the Universe album launch party at the Halcyon, having read about the band in Sandman and heard the party mentioned on Sheffield Live. MSTU are great, as I can verify from the CD I bought on the night, but I was a little disappointed with the performance. The band were obviously nervous and played quite sloppily at times, plus the PA was the pits and you could hardly make out the vocals, which are probably the best bit.

I can’t really blame the band for being nervous. The Halcyon was rammed full of people, two-thirds of who were at the bar or the other half of the room, talking. MSTU had to struggle to make their delicate music heard over this clamour. Meanwhile, the layout of the room meant that the "front row" was about four people wide. And those four people were all tall blokes lugging video cameras. Behind them were a field of smaller lasses bobbing up-and-down, trying to get a view of the band. It can’t be very nice playing when your only audience is four video cameras (I was in front of the cameras, but I kneeled down throughout the gig - god that hurt - so that I didn’t get in anyone’s way).

I took loads of photos, most of them not much good because I was shooting flash-less at 3200 ISO, and the disco lighting very rarely settled on singer Nat’s face. The photo on the left is far from the best one of the night, but it nicely captures almost all of the band plus guest trumpeter Anna in the pink light (Kevin was to the left of this picture) in a dynamic moment (as they played their final song, Jimmy Down the Well).